Tom Porter
My feedback
15 results found
-
42 votes
-
31 votesTom Porter
supported this idea
·
-
31 votesTom Porter
supported this idea
·
-
4 votesTom Porter
supported this idea
·
-
36 votes
An error occurred while saving the comment Tom Porter
supported this idea
·
-
120 votes
An error occurred while saving the comment Tom Porter
commented
In what other movie does the beautiful red-headed government agent keep shotgun shells in her bra? A stripper dance to a double bass?
I didn't think so.
Tom Porter
supported this idea
·
-
16 votesTom Porter
supported this idea
·
-
4 votesTom Porter
shared this idea
·
-
217 votes
An error occurred while saving the comment Tom Porter
commented
"It's Alive" takes a poignant turn at the end, when the killer baby's parents develop paternal protective instincts about the bizarre little guy despite his non-stop killing spree. Ultimately, its appeal comes from the disconnect between the out-of-this-world story and the down-to-earth sincerity of the cast and crew.
-
46 votesTom Porter
supported this idea
·
-
30 votesTom Porter
supported this idea
·
-
37 votesTom Porter
supported this idea
·
-
5 votesTom Porter
shared this idea
·
-
293 votes
An error occurred while saving the comment Tom Porter
commented
This is an extremely dated 1970s film. Much of its appeal comes from the fact it takes itself so seriously and yet, in retrospect, looks so campy. It's repeated and strange references to race may have been considered edgy for its time but today seem like bizarre displays in a museum of another age. In addition to The King of Cartoons, Elisha Cook also makes an appearance. He seems to be the Lance Henriksen of this day, collecting a steady paycheck by moving from campy film to campy film. He's like striped polyester pants; see him and you know immediately what era you've entered.
Tom Porter
supported this idea
·
-
23 votes
An error occurred while saving the comment Tom Porter
commented
Why you should riff Burnt Offerings:
Oliver Reed tossing his kid around the swimming pool like a rag doll.
Bette Davis's over the top death scene.
Oliver Reed's strange seizures, filmed in close up.
Karen Black slowly being possessed by the house, and seeming more normal because of it.
The little kid being crushed at the end, and the audience rejoicing.
Karen Black. Karen Black. Karen Black.
Tom Porter
supported this idea
·
Pure 1980s hair, soundtrack, & characters. A hero who fights off phsychsexual cyborgs hopped up on euphoron in his tighty whities. The only thing lacking is acting. And directing.