An insipid musical about 9/11 and the Tuesdays that are closet to the 11th of September from 2002 - 2009.
Critic's reviews include such gems as:

"Want to experience the worst sort of theater without the bother or expense of heading to New York?"

"Pretentious profiles in post-9/11 grief and confusion, Clear Blue Tuesday manages the not-inconsiderable feat of insulting both the memory of the World Trade Center attacks and the musical genre. "

"The compositions themselves, while largely penned by their performers, all contain the same structural weaknesses: There’s usually a relative minor bridge and a third-verse modulation amid a yawn-inducing sea of power pop-ish hooks. And whatever unique signature each musician might have is drowned in indistinguishably generic indie production values and warbly histrionics; perversely, the only rhythmic anomaly pairs a decent backbeat with the movie’s worst words (“spank it,” as the title commands). Along with the transparently chroma-keyed After Effects graphics that accompany each song-detour, one might as well be watching an amateur music video of interminable length."